Accusations of #plagiarism or #AI use in writing must be supported by a preponderance of credible evidence, not em-dashes and vibes and how things sound to someone's ear.

The burden of proof rests with the person making the accusation. THE BURDEN OF PROVING INNOCENCE DOES NOT REST WITH THE AUTHOR. This standard must apply equally to all writers.

Defending due process is not the same as defending misconduct, and it is important.

#writingcommunity

in reply to CT Liotta

Agreed. I am also uncomfortable about the authority of an #AI toolkit used to detect the use of #LLM #GenAISlop in a written work. To me such procedure lacks authority. I am left wondering if Digital Humanities ( #DH ) can step in to give any such test some academic credibility, We have seen some progress in #DHTools that successfully establish authorship for disputed creative works (text and musical scores). I also did a literature survey in preparation for a thesis I was working towards some years back which showed that #DHTextAnalysis techniques might be rigourous enough to detect more characteristics. Comparison of such characteristics between author and #GenAI produced literary work would be a more emphatic way to demonstrate #AIContent in written works.
#WritingCommunity #Writing #TextRegurgitatingMachines
in reply to CT Liotta

@RaymondPierreL3 I strongly believe that the dogmatic anti-AI stance in most of the creative community is harmful. I don’t want to discount the genuine harm various forms of LLMs cause. Are LLMs use for edit checks any worse than traditional grammar checks? I don’t understand that position. They’re also useful tools for development tasks— research and brainstorming come to mind.

By being dogmatic, we ensure nobody listens to the underlying real concerns.

in reply to RaymondPierreL3

I agree that AI detection should be approached cautiously. As a Book Editor & Story Consultant, I think the stronger question is not simply whether a tool labels something as AI-generated, but whether there is credible evidence behind that conclusion. Authorial voice, stylistic patterns, and textual consistency can provide valuable context, but they should be examined carefully rather than treated as absolute proof. @CT Liotta
in reply to Johnson Alfred

@johnson @RaymondPierreL3

I appreciate the difficulty. I'm not sure that performing forensics on written works is even a sustainable approach, especially as LLMs get better at creating. I appreciate veracity, authenticity, creativity, craft... All that. But, I love writing. With the public at large not really caring and using GPT to find biscuit recipes and create letters to their mechanics, I'm starting to think writing as we know and love it is going to turn into an artisan niche.

in reply to CT Liotta

@CT Liotta I understand what you mean. I think that’s exactly why human writing, editing, and storytelling may become even more valuable as AI-generated content becomes more common. When everything can be produced instantly, authenticity, voice, intention, and craft become what distinguish one piece of writing from another. As a Book Editor & Story Consultant, that’s something I care deeply about.
in reply to CT Liotta

Exactly. Story is so much bigger than prose. Character, structure, conflict, pacing, emotional stakes, and the choices behind the narrative all contribute to what makes a story work. As an editor, I think those elements become even more important when we look beyond the surface of the writing.
@CT Liotta
in reply to Johnson Alfred

This entry was edited (Friday, August 7, 2026, 1:04 AM)
in reply to RaymondPierreL3

That’s a fascinating way to approach writing. I especially like what you said about magic realism and noticing the ā€œmagicā€ in everyday life. Your two novel ideas sitting quietly in your files sounds like they’re simply waiting for the right moment.

As for me, I’m Johnson. I’m a writer, Book Editor, and Story Consultant, so I spend a lot of time around manuscripts, stories, and the creative process. I also work with authors on developing and refining their stories, which is something I genuinely enjoy.

And yes, you’re probably not overlooking anything with my profile. I’m still getting everything organized here, so I appreciate you pointing that out. šŸ˜„

I’d actually be interested to hear about one of those magic-realism stories you’ve written. What kind of everyday ā€œmagicā€ do you usually find yourself writing about?

in reply to CT Liotta

Spelling and grammar checking tools are based on dictionary entries and grammatical rules, *not* statistically computed edits that *sound* like they’re acceptable (which is what LLM GenAI produces). There are worlds of differences involved here.

Let’s not forget the #LLM #GenAI software is designed to output statistically reasonable text (with a deliberate bias to *faun* and *flatter*) based on everything that was ingested off the internet (fake, true, lies, demented ravings of lunatics, all included). LLM GenAi does not produce anything of its own, it merely regurgitates words it has ingested cobbled together in a way that sounds reasonable as an answer to some prompt.

The biggest problem in these discussions is that little effort is made to define what one means by *AI* — an umbrella term for all kinds of very different computational tools and applications.

/end_of_rant/
I apologise if any of the above sounds like I’m aiming at the messenger. That is far from my intent.

in reply to RaymondPierreL3

That’s a fascinating way to approach writing. I especially like what you said about magic realism and noticing the ā€œmagicā€ in everyday life. Your two novel ideas sitting quietly in your files sounds like they’re simply waiting for the right moment.

As for me, I’m Johnson. Book Editor, and Story Consultant, so I spend a lot of time around manuscripts, stories, and the creative process. I also work with authors on developing and refining their stories, which is something I genuinely enjoy.

And yes, you’re probably not overlooking anything with my profile. I’m still getting everything organized here, so I appreciate you pointing that out. šŸ˜„

I’d actually be interested to hear about one of those magic-realism stories you’ve written. What kind of everyday ā€œmagicā€ do you usually find yourself writing about?

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