(for opera lovers)How would you describe your favourite singer, particularly to someone who is unfamiliar with his work or who doesn't know much of it?
Every time I try to describe the voice and style of Tito Schipa, I find myself unable to do so adequately. This is not only because I might lack a few technical terms, but because I find it to be so perfect that words seem insufficient to convey its essence. It is unlike any other operatic voice I have ever heard. There is a quality to it that some have described as husky, but that I think gives it a well-rounded sound. It is sweet but not overly so. It can be assertive when necessary but never dark or overwhelming. His ornamentation is always just enough, never less or more than is required. Everything, including messa di voce and dynamics in general, breath control, portamento, legato, vibrato, etc. blends seemlessly. I don't yet know Italian, and somehow, I can feel every emotion in what he is singing, and when I read the English translation of the words, my feelings are justified. He can express the greatest joys and the deepest sorrows of the human heart, and the quiet moments in between. The clarity of his pronunciation is unparalleled, even in acoustic recordings. I can't describe his style technically, but I would know if someone were imitating it. On the negative side, some say that his top notes were thin, but I personally can't hear it. He did transpose various arias, particularly as he aged, and he stopped singing truly high notes in his forties or so, but I can't say I notice a diminishing in vocal quality until some time after 1955. In his concert that year, he sounds wonderful. But by 1962, I do notice some deterioration,and in 1964 (at seventy-five), it was pronounced, though he could still sing.