White Lines
Anita Baker - The Songstress
Anita Baker was working as a secretary and singing in the group Chapter 8, when Beverly Glen, an independent soul label put out this, her solo debut in 1983.
To say it had high production values was an understatement. She had a supporting cast of top-notch producers, players and singers. She even got a gate-fold sleeve. No expense was spared.
How could an indie label do this? Crack, that’s how. The album was financed by “Freeway” Rick Ross, multi-million dollar dealer of cocaine and apparent fan of velvety jazz-soul vocals.
Otis Smith, who owned the label, was a bit of a spiv. He had promised Bobby Womack he could get a deal for him with Motown, but instead signed him to Beverley Glen, giving world wide distribution to Motown, but keeping the US rights to himself. The Poet & Poet 2 sold millions. Bobby never saw a dime - but it cost him a fortune to get out of his contract.
Anita Baker never got paid for this album and spent thousands (and a couple of years) trying to get out of her contract, so she could sign for Elektra.
By, 1985 even his law firm had sued him to get paid for their services.
I bet “Freeway” Rick Ross never had to send a solicitor's letter.
Once signed to Elektra, Baker became the epoch-defining singer of smooth Mum-soul.
I bought it in the Virgin Megastore in Piccadilly Circus on import.
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