Georgiana Brummell

dandylover1@friendica.world

(Please note. Due to screen reader accessibility problems on Friendica, I have mostly switched to Akkoma. I can now be found here, though I may occasionally still post to Friendica.

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Thank you for your understanding.)
Hello. Georgiana Brummell is not my legal name, but it is what I prefer to be called. I chose it in honour of Beau Brummell. I live in New Jersey and am forty-one years old. Some of my interests include studying dandyism, nineteenth-century grammar, Upper Received Pronunciation, British history, and the Regency. I like coffee, tea, wine, nasal snuff, cooking, hot baths, reading British literature, nature and historical documentaries, old BBC radio shows, gardening, hot weather, and playing cards and dice. I also love cats. In classical music, I enjoy Baroque through a bit of early Romantic, while in popular, I usually prefer 1950's through 1970's. I love theatre (especially English and Viennese operettas, Edwardian musical comedies), and some Regency/Georgian plays. I am starting to learn about opera, with my main focus being singers from the 1940's and earlier, due to the change in singing style that began roughly in the 1950's. I prefer antique menswear and accessories. It's my dream to either buy a genuine Edwardian suit or have one commissioned. I love wit, wordplay, and dry humour without vulgarity. My parents are lesbians, and I am a gay rights supporter. I have been totally blind since I was two months old, due to Retinopathy of Prematurity. I am happily childfree and am not religious. My main goal in life is simply to enjoy it, and have fun learning new things along the way. I am also single and searching. If you are or know a genuine dandy, or at least, a single, childfree, intelligent, well-dressed man, preferably over sixty, please tell him about me.

Please note. I don't write about American politics, race, anticapitalism or world affairs (wars, poverty, oppression, etc.), and will not add those who do, as I don't want it filling my timelines. While I am interested in technology to an extent (particularly website accessibility), I am not a programmer or gamer, do not use Linux,and don't care what social network you use. I tend to get along better with people much older than I, but I will accept friends twenty-one and over. I have no understanding of chronic illness, anxiety, depression, low self-esteem, loneliness, etc. so if you need help with that, I'm not the one to ask. I enjoy hearing about cats, cooking or gardening adventures, animals and nature, antiques, and interesting facts and life stories.

You can also find me on Dreamwidth. Anyone can read or comment, whether or not he is a member.

dreamwidth.org

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New Jersey, USA

http://rel=mehttp://blob.cat/dandylover1

About:

(Please note. Due to screen reader accessibility problems on Friendica, I have mostly switched to Akkoma. I can now be found here, though I may occasionally still post to Friendica.

blob.cat/dandylover1

You can also find me on Dreamwidth. Anyone can read or comment, whether or not he is a member.

dreamwidth.org

Georgiana Brummell

1 month ago from TweeseCake •

Georgiana Brummell
1 month ago from TweeseCake •

Sadly, if, like me, you don't know Italian, you'll probably miss what he is saying here. If there are subtitles, I can't read them, since I'm blind. This is also why I can't watch full operas (or even operettas) if they're not in English. At any rate, here Bel Canto singing is being demonstrated. This is what I mean by good opera singers, though to call Beniamino Gigli a good opera singer would be doing him a huge disservice, as he was literally one of the best in history! I am curious as to what he is demonstrating, though. In the first example, I actually hear him breathing. For anyone who follows the style of Clara Novello Davies, the whole point is breath control, and I know that this is important in Bel Canto as well. Is he showing what not to do, or that you don't need to apply such power as in the second example? I say that because modern singers have too much vibrato and often show emence effort, while older ones are more natural in their approach, even if they do have powerful voices. This is not me speaking from my hat. I can hear the differences and also heard them desc

in reply to Georgiana Brummell

Georgiana Brummell

in reply to Georgiana Brummell • 1 month ago from TweeseCake •

Here is a video about fake versus real BelCanto singing. It is well and truly beyond the scope of my limited knowledge. I'm also a lot better with male singers and contraltos rather than suppranos, so I'll just leave this to the experts and those who are much farther along the path than I.

youtube.com/watch?v=tTIRC4Q0es…

in reply to Georgiana Brummell

Georgiana Brummell

in reply to Georgiana Brummell • 1 month ago from TweeseCake •

Okay. I just watched the video and paid close attention to some cognates. Between that and the lessons from Madam Clara, I think I know what he is saying and demonstrating. The first example, in which he sings softly and sweetly, doesn't require heavy use of the diaphragm. The second, in which he sings very strongly, does require the diaphragm to be engaged. This is probably when Madam Clara would advise using the breath-lock etc, so the singer could store breath and only take small ones when necessary. I'm not sure if that is what he would do, but he was definitely using his full diaphragm. I actually tried it myself and laughed aloud, because the results were quite obvious! My voice completely changed and became much louder.. I also developed a slight vibrato, which surprised me.

in reply to Georgiana Brummell

Georgiana Brummell

in reply to Georgiana Brummell • 1 month ago from TweeseCake •

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