I revisited a lot of my old cassettes today and had a wild thought. The reason this stuff matters to me is because it’s an investment—not just a monetary one, though I did pay for these cassettes—but an investment in space and attention.
At some point, I invited this music into my home. It sits on a shelf. I look through the collection, open the cases, admire the artwork, read the lyrics. I take in the different colors and labels of the shells. This music tells a little story about who I am and what I value.
And it’s not just about owning them. I could just display them, but I don’t—because this music deserves to be played. It’s an investment in attention. I don’t just hear these songs; I listen to them. On cassette, no less. I can tell you about these artists, when and why these albums were made, what these songs mean.
Now, I’m not here to bash modern streaming services. I use them myself, quite a bit, to discover new music. There’s undeniable value in that. But something is missing in the streaming era
... Show more...I revisited a lot of my old cassettes today and had a wild thought. The reason this stuff matters to me is because it’s an investment—not just a monetary one, though I did pay for these cassettes—but an investment in space and attention.
At some point, I invited this music into my home. It sits on a shelf. I look through the collection, open the cases, admire the artwork, read the lyrics. I take in the different colors and labels of the shells. This music tells a little story about who I am and what I value.
And it’s not just about owning them. I could just display them, but I don’t—because this music deserves to be played. It’s an investment in attention. I don’t just hear these songs; I listen to them. On cassette, no less. I can tell you about these artists, when and why these albums were made, what these songs mean.
Now, I’m not here to bash modern streaming services. I use them myself, quite a bit, to discover new music. There’s undeniable value in that. But something is missing in the streaming era: investment.
Most of the time, you hear a song, but you don’t know who made it or why. It goes in one ear and out the other, often just background noise to fill the silence or enhance a mood.
When I was a kid, music meant more. Musicians were serious artists. The music you listened to defined you—you belonged to a subculture shaped by it. And that was because music required investment. You bought it. It took up physical space in your home. You gave it real attention. No wonder so much art, fashion, and literature revolved around it.
That’s not to say this doesn’t exist today, but back then, we had watershed moments that changed culture itself. I remember punk, new wave, metal, grunge—these weren’t just genres; they were movements. We discussed them endlessly, dissecting every detail.
And here’s the other thing: music was resistance. Hip-hop and punk weren’t afraid to confront authority. They spoke about real issues. I have no doubt musicians today are making incredible art, but music’s cultural force has been diminished—because we no longer invest in it the way we used to.
And I think we’ve lost something because of that.
Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •Kesōbumi (懸想文 'love letters') are special 'attraction' amulets that were particularly popular with young women in the Edo period.
By placing the amulet in your clothes draw it is said that you will always have something good to wear, and will always look good in what you wear.
#Kyoto #懸想文 #Japan #loveletters #charmamulets
Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •falling in love
with the vendor
of love letters...
懸想文売りに懸想をしてみても
-Nishino Fumiyo (西野文代 1923-2019).
As their name suggests, kesōbumi (懸想文💌) also help in finding (or realizing) love. Businesses often purchase the charms to 'attract' customers and guests.
#Kyoto #須賀神社 #懸想文 #Sugajinja #Japan
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Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •The tradition of kesōbumi stretches back to Heian times. Poetry was commonly used by the nobility to woo potential partners and follow up romantic trysts.
Propriety often kept faces hidden, so it was important that penmanship, paper, fragrance, and attached flowers made an impact.
#Heian #Kyoto
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Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •For the unlucky-in-love, those poor at penmanship, and the illiterate who wished to mimic the practice of kesōbumi, hard-on-their-luck aristocrats provided a useful service...writing letters on their behalf.
To prevent embarrassment (and social disgrace) identities were kept secret.
#Japan #Kyoto
Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •Over time the idea of kesōbumi 'love letters' evolved into a charm that would work in a more general way to make the possessor 'attractive' (whether in love or business).
It is said the first 'love letter vendors' (懸想文売) appeared in the Edo period in Kyōto.
#懸想文売 #懸想文 #loveletter
Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •Only awarded at Setsubun, kesōbumi originally contained the blossoming sprig of a plum tree, symbolising the spring (and with it new opportunities).
Nowadays there is a picture of plum blossoms instead.
WARNING📢...for the amulet to work it must be kept secret.
#Kyoto #Japan
Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •In the Meiji period 'love letter' charms fell out of fashion, but after being moved in 1924, Suga-jinja saw a way to revive the custom and revive its own fortunes (Kōtsū-jinja merged with the shrine in 1964).
Maintaining tradition, the identity of vendors is kept secret🧐
#Kyoto
Camellia Tea Ceremony
in reply to Camellia Tea Ceremony • • •Naturally there is a special sweet for the occasion😉...
Setsubun is the only time it is possible to purchase Aoimochi's (葵餅) 'suga-tamochi' (須賀多餅).
The plum-flavored mochi is branded with a love letter, and the yuzu-flavoured mochi with a gohei (御幣).
#須賀多餅 #餅 #mochi #sweets #Japan
Le Monolecte 😷🤬🐧
in reply to Camellia Tea Ceremony • • •