I am seeking assistance with singing and learning music theory. This could be in the form of teaching, giving advice, or just listening to me and sharing your opinion of my progress. This is not for a career, just for my own enrichment, though after the correct amount of time has passed, I may decide to take it further and sing publicly in some form or other, perhaps in a choir or a radio play. However, my requirements are quite specific, and I do realise this will be a long process.
Requirements
1. I have no interest in modern singers, musicians, or their techniques. I am using the book You Can Sing, by Clara Novello Davies, as a basis for everything, especially my physical and vocal exercises. I am interested in the techniques of her time and that of her son, Ivor Novello, with a focus on operetta, and perhaps, choral singing.
- The above also holds for music theory. I am aligning my knowledge and methodology with what was taught during Ivor's time. A list of all the books I am using, as well as an explanation of the knowledge I have attained so far can be foun
... Show more...I am seeking assistance with singing and learning music theory. This could be in the form of teaching, giving advice, or just listening to me and sharing your opinion of my progress. This is not for a career, just for my own enrichment, though after the correct amount of time has passed, I may decide to take it further and sing publicly in some form or other, perhaps in a choir or a radio play. However, my requirements are quite specific, and I do realise this will be a long process.
Requirements
1. I have no interest in modern singers, musicians, or their techniques. I am using the book You Can Sing, by Clara Novello Davies, as a basis for everything, especially my physical and vocal exercises. I am interested in the techniques of her time and that of her son, Ivor Novello, with a focus on operetta, and perhaps, choral singing.
- The above also holds for music theory. I am aligning my knowledge and methodology with what was taught during Ivor's time. A list of all the books I am using, as well as an explanation of the knowledge I have attained so far can be found here. This includes the differences between modern and older singers.
friendica.world/display/84b6ef…
- Please be aware that I am totally blind. I cannot use images, graphical charts, tables, musical notation, etc. Braille music does exist, but I don't know how to read it, and would need to have appropriate texts transcribed, in any case. I do, however, have perfect pitch, an excellent sense of rhythm, and a very good musical memory, so perhaps, we can work on modifications that don't truly cross the boundaries into modernity but that are still accessible.
- If you do more than just give occasional advice, I'm sure you will want to be compensated for your work, as that's only right. Please be aware that I can only pay $25 per hour at the most, via Paypal. In that case, I can only work with you for about four hours per month, due to financial constraints, but of course, I will also study on my own. I may be able to do more, but not as a normal practice.
- If you are a descendant of anyone who knew Clara Novello Davies , her students, or Ivor Novello, even if you yourself know nothing about singing, I would still love to hear from you if you have stories to share!
#blind #choir #choralsinging #ClaraNovelloDavies #music #musictheory #singing #theatre #theater #teacher #tutor #vocalinstruction
This is something I wrote on Dreamwidth in September. I think some of you may find it interesting. I myself am beginning to study all of this, as I am fascinated by the singing methods and knowledge of the time. It is a bit difficult doing it being blind and unable to read music, but fortunately, there are ways around that. My perfect pitch and good memory for lyrics also helps.Below, you will find various links related to theory, harmony and counterpoint, and a comparison of older and modern methods of teaching and singing. While this relates to choirs and opera, it also relates to the theatre, particularly operettas and such.
Studying Music: Part I
dandylover1.dreamwidth.org/205…
My one criterion was that the methods and books used had to be from the time of Ivor Novello, preferably from his youth (born 1893). If I were to start in the early nineteenth century, which is where most of my preferred non-musical educational material is from, I would miss extremely important developments in classical music. Starting at the birth of his mother, Clara Novello Davies, in 1861, would be fine. However, since her own book, which I am using as my main text and guide, was written in 1928, I went with that of her son. In the following sections, you will find the books I am using. One thing I have not included, though it was a huge influence in Ivor's own writing style, was theatrical music, such as that found in operettas and Edwardian musical comedies. That is such a large topic for discussion that I feel it deserves its own separate post, as does Ivor's music, since it's an interesting blend of all of the above. But this is well outside the scope of traditional musical study.
In the next entry, we will delve into vocal training and why the singers of Novello's time sound so wonderful.
Studying Music: Part II
dandylover1.dreamwidth.org/205…
Finally, since I mentioned the exercises, here they are, for anyone who wants to try them. Note that these are the Preliminaries and Breathlock Physicals, not the vocal exercises. But I have provided the link to her book as well, for those who may wish to go further.
Clara's Exercises
dandylover1.dreamwidth.org/205…
#books #choir #ClaraNovelloDavies #counterpoint #exercises #harmony #history #IvorNovello #music #musictheory #opera #operetta #singing #studying #vocaltraining #voicetraining #theater #theatre
Anyway, Hoodening in SNAW, Acol and Birchington continued to at least 1925, in Deal (maybe Hythe) also into the 1930s, and replicas started appearing from 1939. Few of those doing hoodening in the 1960s were folk fans (nor were the mummers we know). And as we see it, the horses appearing with morris/mummers are beasts, not hooden horses. The books are easiest found via 
Verain
in reply to Archaeo-Histories • • •