Like fine wine, he gets mellower with age


We've been watching you, Davis, we know what you're doing


1984 - Not All Bad After All


You'll find yourself in another space


Flora Purim - 500 Miles High

A really very good live album, with Flora and her gang recorded at the Montreaux Jazz Festival in 1974. Milton Nascimento joins in on his big tune Cravo E Canela (Cinamon and Cloves).

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"She's in beautiful condition."


Sonny Rollins - Original Music From The Score "Alfie"

This album is music from the 1966 film.

Rollins is joined by some heavy-hitters, like Kenny Burrell, Jimmy Cleveland, and J.J. Johnson.

I don't know why I don't have more Rollins albums.

Also, Japanese edition. Fabulous quality pressing.

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Feels so mellow...


Pieces of a Dream - Pieces of a Dream

PoaD’s debut album, from 1981, is produced by Grover Washington Jr, and sounds it. Bearing in mind that some of his own output was challengingly smoooth and honestly pretty awful, they got off lightly, because this is a decent album.

Of course, the whole show is stolen by the Dexter Wansel co-produced (and synthesizer-playing) Warm Weather, the album’s big hit, which instantly transports me back to the Robbie Vincent show on Saturday lunchtimes on Radio London.

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Mingus, Mingus, Mingus, Mingus, Mingus


Charles Mingus - The Black Saint And The Sinner Lady

The third of yesterday's purchases. A record I know well from my digital copy, but that I haven't heard for ages, because I rarely listen to digital music files any more.

Just an amazing piece of music. Recorded in 1963. Nineteen. Sixty. Three!

Also, the photo on the cover is just wonderful.

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Where's Tom Waits, man?


Don’t know what’s going wrong inside


Sean Khan presents The Modern Jazz and Folk Ensemble - Volume 1


I received this LP for my birthday last year from a mate who knows I like jazz and knows I like folk.

There's nothing wrong with this album. It just leaves me a little cold and I find it hard to articulate why. I mean, what's not to like? Lovely songs given a jazz glow-up.

Perhaps it all sounds a bit JazzFM? I like it most when Khan stretches out the most (like in the soprano sax solo of Who Knows Where The Time Goes.) Perhaps it's aimed at people who don't dig so deeply into the folk ditch? I dunno.

The fact it's called Volume 1 leads you to think there's going to be a Volume 2. What'll be on there, I wonder? Moondance? Come On Eileen? I've Got A Brand New Combine Harvester?

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Heart of a lion: lifetime ban from the zoo.


McCoy Tyner - The Real McCoy


One of the things I like most about John Coltrane's music is McCoy Tyner's piano playing (Have a listen to My Favourite Things, as an example): he's got such a taught but unfettered style.

This album was his first after leaving the Coltrane fold, and his Blue Note debut. Joe Henderson, Elvin Jones and (of course) Ron Carter keep him company and match his intensity. This must've sounded fucking wild in 1967.

Alfred Lion, the bloke who started and ran Blue Note, said the album made "...absolutely no concession to commercialism..." - which initially seems like a complement, but - from the label boss - might have been the opposite.

I'd recently promised myself I was going to pick up a few more of those superb quality Blue Note reissues and this is one of them.

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Harp Stays Sharp


Alice Coltrane - Huntington Ashram Monastery

The LP Huntington Ashram Monastery by Alice Coltrane, playing on a turntable with the sleeve propped up behind.

Just a lovely album to start the day with. Or finish the day with.

Since I've been documenting my listening, it's dawned on me how often Ron Carter pops up as bass player.

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#RonCarter

Floating like a bird am I


Chick Corea and Return to Forever - Light As A Feather

The second RTF album, with Flora Purim on vocals, her husband Airto Moreira on percussion, Stanley Clarke on bass, and Joe Farrell on flute and saxophone, has them gliding through really complex Brazilian-jazz-fusion flavours, without compromising on complexity or losing the groove - a very hard balance to achieve.

It's one hell of an album, even on my rather shitty Australian pressing.

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A Massive Tromboner


Robin Eubanks - Different Perspectives

In 1988, when this album came out, I had a mate who was a rep for a record company, and I would leave his flat with my pick of whatever records/CDs he was promoting at the time. That's how I got this.

This was Eubanks' debut album and it holds up well, despite being festooned with slightly jagged eighties rhythms.

Eubanks is a player of some aplomb and is one of FOUR trombonists on this album. That's a lot of trombone.

There's a fucking awesome version of Stevie Wonder's Overjoyed, where Eubanks and his guitarist brother, Kevin, interact beautifully, and which I frequently experience as an earworm.

You can't beat free tunes, man.


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12-Tone?


John Coltrane – Giant Steps

The title track of this album is supposed to be a motherfucker to solo over. Ask poor Tommy Flanagan, the pianist on this recording, who had the sheet music dropped in his lap mere hours before the recording session, and – despite being thrown under the jazz-bus - made a better job of it than any of us ever could.

Whilst listening to this, I went down a bit of a rabbit hole over whether this piece was 12-Tone or not. There’s an interesting article here (blog.danreitz.com/why-giant-st…), if you’re as dull as me.

Nowadays, as far as difficulty playing music is concerned, I’m just glad when I can see the numbers on the label without my glasses, to be honest.

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#GiantSteps
#Jazz

With the fear that I'll live it all again


Charles Mingus - Pre-Bird

I borrowed this album from the library when I was about 13 and really enjoyed it. It was the first jazz album I had really listened to and I remember reading the sleeve notes, learning about contrapuntal arrangements and being blown away. I was a bit of an odd teenager, at times.

Got myself a mint 1961 mono copy a few years ago off discogs and promptly (literally) dropped the needle onto Prayer for Passive Resistance, making a big old skip in the middle of Eric Dolphy's amazing alto sax squawking. Oh well.

This album is a stone cold 10 and I'm playing it twice.

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