Mini Review
I will not be analysing the singers as I usually do, but I will give my general opinion.
While I primarily love tenors, there is a certain voice type that I adore, and it is extremely rare. It's the lyric/light tenor, and yes, I put them together deliberately, because, according to my research, these voices could do both. They are not dramatic, but are light and sweet, and if used correctly, their owners have a mastery of phrasing and clarity, rather than sheer volume and/or weight. So far I had only found one serious opera singer with all of these qualities, namely Tito Schipa. Last night, I found another man, named Leopold Simoneau, and I was so moved by his voice that I immediately began downloading his recordings. I even matched him directly against Schipa himself, at one of the roles for which the latter is well-known, and Simoneau was so good that I gave up on trying to decide between them! Here, then, is the same song sung by both. Which do you prefer?
Tito Schipa sings Una furtiva lagrima- 1929
... Show more...Mini Review
I will not be analysing the singers as I usually do, but I will give my general opinion.
While I primarily love tenors, there is a certain voice type that I adore, and it is extremely rare. It's the lyric/light tenor, and yes, I put them together deliberately, because, according to my research, these voices could do both. They are not dramatic, but are light and sweet, and if used correctly, their owners have a mastery of phrasing and clarity, rather than sheer volume and/or weight. So far I had only found one serious opera singer with all of these qualities, namely Tito Schipa. Last night, I found another man, named Leopold Simoneau, and I was so moved by his voice that I immediately began downloading his recordings. I even matched him directly against Schipa himself, at one of the roles for which the latter is well-known, and Simoneau was so good that I gave up on trying to decide between them! Here, then, is the same song sung by both. Which do you prefer?
Tito Schipa sings Una furtiva lagrima- 1929
youtube.com/watch?v=un_3-NIgeP…
Léopold Simoneau; ＂Una furtiva lagrima
youtube.com/watch?v=5-37KU6gQL…
Here is another comparison. I chose a slightly later recording by Schipa, as the sound is better and it really shows off his voice better than the original.
Tito Schipa live at St. Louis in 1941 - ＂Il mio tesoro＂ from Mozart's ＂Don Giovanni
youtube.com/watch?v=dnCdtz7i03…
Leopold Simoneau - ＂Dalla sua pace＂, ＂Il mio tesoro＂
youtube.com/watch?v=UuPgWtLbk-…
Since the Simoneau version had another song attached, here is a bit more Schipa to compensate. He actually created a role in this opera, meaning that it was written for him. He was seventy-six when recording this, but his voice is still amazing!
Tito Schipa - No! Non lasciarmi solo (La Rondine) (Private recording, 1964)
youtube.com/watch?v=mJex-q5BvX…
Analysis
If I really had to compare these two singers, I would say that Simoneau's voice has a little something that Schipa's lacks, but I can't exactly explain it. Maybe, it's more delicate, flexible, or smooth. I'm not sure. But there is a quality that many other singers have, where they'll start soft, and then overpower everything with loud, booming voices. This is not only true of most modern singers who, after they sing a few notes, I turn off due to dislike of their style. Even the greats who had beautiful voices and sung in the old way did it. I realise, naturally, that some parts truly require this sort of voice, so it is quite necessary. But if I am going to sit down with a glass of wine and listen to someone sing for sheer enjoyment, as I am doing now, I don't want that. I can listen to both Schipa and Simoneau all day without tiring. Even at their loudest and most passionate, they still sound gentle and lovely, which is why they are so rare.
#opera #LeopoldSimoneau #review #TitoSchipa
Erotic Mythology 🌈
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The Partial Historians
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